![]() ![]() Now, we take a sponge and give it the desired texture by moving and removing some paste depending on the thickness and texture we want to obtain: Spread all the paste over the building, and let it pass approximately 5 minutes. Now with the help of a brush, we apply this paste all over the building. In the next step, we create a paste with the following materials: filler, a little water and white glue, until the desired texture is obtained: Therefore, I recommend that you read the other article before reading this one.įirst, I have applied Gesso to all the elements that I will not cover later with filler, and once dry, I have covered all these elements with masking tape: ![]() It is a 3D model from Imperial Terrain, at the end of the article you will find the links to grab this model.īefore continuing, if you haven’t read it yet, I recommend you read this step-by-step article I prepared on how to prepare a building for Tatooine, as I will follow more or less the same steps on this occasion, but as I already explained many parts, step by step in that article, I won’t go into as much detail in this one. Light Yellow Ochre (73102) has been used to simulate sand effects, and Natural Umber (73109) to simulate dirt effects.We continue with more Tatooine terrain / scenery, and today I want to show you how I have prepared and painted a desert tower for Star Wars Legion. For this purpose, base colours have been applied, washed with darker colours and finally lights with dry brushes or in key points of each of them.Īnd finally, we applied some weathering effects throughout the building, in this case I have used Vallejo pigments, applied both dry and wet (mixing them with Vallejo airbrush thinner, or even with water). Now we’ll just have to paint the details and objects of the building. Now we will only apply dry brush, first with Titanium buff Light and then with white: To finish with the airbrush, I applied Vallejo Model Color Sand Yellow 70916 diluted with Vallejo Airbrush Thinner at various points in the building, and I did the same later applying Vallejo Model Air Sand Yellow 71028 at different points. Next, also with airbrush, I applied Vallejo Model Color Dark Sand 70847, diluted with Vallejo Airbrush Thinner (71361) in some points of the building, as can be seen in the following image: Once the primer has dried, I have applied a thin layer of Vallejo Model Air Sand 71075 all over the building with an airbrush: This is totally optional and you can give a colour primer only. In this case I have given a brown primer mixed with white glue (for a first protective layer) and medium matt (for removing the shine of the white glue). Once done, we will start the painting of the building. ![]() Once dry, we sand the surface a little bit to eliminate areas that could be detached from the cover paste in the future. Let the paste rest for a few seconds and remove the tape, which will achieve this effect: We also took advantage of and plugged the gap between the roof and the building, creating a more realistic building: Now we give another layer of the previously used mixture (filler, white glue and water) in the points where we put the tape. In the next step we glue the roof to the building and put tape at different points of the wall in order to achieve irregular effects on the texture: White glue and sand can also be used perfectly. Here are photos of the result:Īs you can see, I haven’t applied paste to the cracks in the holes in the wall, as I will apply another product in those holes, specifically, I have applied White Pumice and Brown Earth from Vallejo in different points to see the difference and the different effects that can be achieved. We made a mixture of filler, white glue and water, and we began to apply it with the help of a spatula and our hands (recommended to use gloves). Therefore, the first thing we will do is to cover with tape the parts that are not walls and we don’t want to texturize: In the next step we will give texture to the wall of the building. Once dry, if you are not happy with the texture yet, we can re-sand and apply another coat of Gesso, or simply re-apply another coat with Gesso. This primer is much thicker than any normal paint and will help to cover the printing lines a little: After sanding a little, I applied abundantly brush primer to these objects, with the “ Gesso” product. ![]() To do this, we will use fine sandpaper to pass it through all areas other than the wall of the building, since the wall will be covered later, and it will not be necessary to sand it. ![]()
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